Israeli melodic punk rockers Useless ID have found a new home for their latest album Symptoms, now a part of the Fat Wreck Chords roster. Symptoms marks the band’s first album in nearly four years and was produced by Descendents’ drummer Bill Stevenson.
The move to Fat seems like a no-brainer considering the band’s rough-edged pop-punk sound. The album starts off on a promising note with the harder edged opener “Live or Die.” The impressive start continues through the second song “Before It Kills,” and the more melodic cut “Normal With You.” Unfortunately, the flow of the album slows and becomes stale at times due to the repetitious nature of Useless ID’s songwriting (verse/chorus/verse/chorus/bridge/chorus/end of song). The album features very little instrumental exploration beyond basic unison drum and guitar breakdowns.
Lyrically, most of the material deals with issues surrounding relationships and self-discovery – basically, very angst-y subject matter (not surprising considering the roots and influences of this band). After a few spins, I will admit that the material becomes more and more appealing to the ears. Don’t get me wrong, Symptoms isn’t a bad album in the sense of an overall product. The catchiness of the music definitely will appeal to those who dig bands like No Use For A Name (the cut “Somewhere” sounds like NUFAN), and the production under Stevenson gives a touch of that trademark Descendents sound. While it’s not terrible, Symptoms offers up a sound that’s been done many times before and the unoriginal territory taken here will be sure to put some people off. To put it plainly, it’s a very safe album.
(Fat Wreck Chords, PO Box 193690, San Francisco, CA 94119)
Reviews, Concert Photography and other what-have-yous...
Showing posts with label POP PUNK. Show all posts
Showing posts with label POP PUNK. Show all posts
Monday, March 5, 2012
Tuesday, May 24, 2011
Show Review: Emily’s Army at DiPiazza’s, Long Beach 5/22/11
Primed and ready for the release of their debut album Don’t Be A Dick on Adeline Records on June 14th, Emily’s Army popped into Long Beach’s DiPiazza’s for an early evening performance to an eager audience. The audience, made up of mainly young teenage girls, crowded the stage with cameras in hand as they patiently waited for the band’s hour-long set.
Emily’s Army is comprised of Oakland teenagers Cole and Max Becker, Travis Nuemann, and Joey Armstrong. The fresh-faced band have made waves by gaining the attention of one of their heroes, Billie Joe Armstrong of Green Day (and co-founder of Adeline Records) who took on the producing duties of the boys’ debut album.
As the band arrived on stage, I have to admit I was taken aback by just how young these guys looked! They range in age between 15 and 17 years old (no wonder they have a strong teenage girl following!) and do they look it! They definitely have an innocent and, dare I say, “cute” demeanor to their stage presence.
But don’t let the boyish looks fool you into believing these kids are relying solely on the “adorable factor.” Musically, they can clearly hold their own and throw down some really tight sounds. You can hear a lot of Green Day influence, especially in the heavy use of Max’s bass lines. Some of the more poppy vocals and guitar riffs seem to be influenced by traditional Ramones, and at times you can hear hints of some surf and ska.
For being quite young, they dominated the stage with an almost awkward innocent bravado that only seems quite natural for a bunch of teenage boys. Watching them bounce around on stage, jumping in synchronization and clearly having a good time, only made the experience of watching their performance all that more enjoyable. Aspects of Green Day were definitely present in their stage presence with Max and Cole taking on power stances and facial expressions reminiscent of Billie Joe and Mike Dirnt.
Included in their set was a really fun and carefree version of The Beach Boys’ “Do You Want To Dance?” — although the way they played it, it could have been a cover of the Ramones’ version of the song. Whatever the case was, the question posed in the song was answered by some of the girls in front of the stage as they (in fact) did start to dance. The song “I Wanna Be Remembered” was dedicated to Cole and Max’s cousin Emily, who the band is named after. Emily was diagnosed with Cystic Fibrosis back in 1998 and in honor of Emily’s fight — and in junction with the foundation aimed at educating the masses about CF — the band changed it’s name from Raining Souls to Emily’s Army.
I walked away from this show quite impressed with the simple raw sound and talent of Emily’s Army’s music. If this is any indication of what these lads are capable of, the future looks promising. As of now, they seem like a band inspired by other musical acts they look up to musically. Like all teenagers, it’s a matter of finding yourself and defining yourself. By all accounts of this performance, Emily’s Army is well on their way to finding out what power and potential is there for the taking in the years ahead.
Emily’s Army is comprised of Oakland teenagers Cole and Max Becker, Travis Nuemann, and Joey Armstrong. The fresh-faced band have made waves by gaining the attention of one of their heroes, Billie Joe Armstrong of Green Day (and co-founder of Adeline Records) who took on the producing duties of the boys’ debut album.
As the band arrived on stage, I have to admit I was taken aback by just how young these guys looked! They range in age between 15 and 17 years old (no wonder they have a strong teenage girl following!) and do they look it! They definitely have an innocent and, dare I say, “cute” demeanor to their stage presence.
But don’t let the boyish looks fool you into believing these kids are relying solely on the “adorable factor.” Musically, they can clearly hold their own and throw down some really tight sounds. You can hear a lot of Green Day influence, especially in the heavy use of Max’s bass lines. Some of the more poppy vocals and guitar riffs seem to be influenced by traditional Ramones, and at times you can hear hints of some surf and ska.
For being quite young, they dominated the stage with an almost awkward innocent bravado that only seems quite natural for a bunch of teenage boys. Watching them bounce around on stage, jumping in synchronization and clearly having a good time, only made the experience of watching their performance all that more enjoyable. Aspects of Green Day were definitely present in their stage presence with Max and Cole taking on power stances and facial expressions reminiscent of Billie Joe and Mike Dirnt.
Included in their set was a really fun and carefree version of The Beach Boys’ “Do You Want To Dance?” — although the way they played it, it could have been a cover of the Ramones’ version of the song. Whatever the case was, the question posed in the song was answered by some of the girls in front of the stage as they (in fact) did start to dance. The song “I Wanna Be Remembered” was dedicated to Cole and Max’s cousin Emily, who the band is named after. Emily was diagnosed with Cystic Fibrosis back in 1998 and in honor of Emily’s fight — and in junction with the foundation aimed at educating the masses about CF — the band changed it’s name from Raining Souls to Emily’s Army.
I walked away from this show quite impressed with the simple raw sound and talent of Emily’s Army’s music. If this is any indication of what these lads are capable of, the future looks promising. As of now, they seem like a band inspired by other musical acts they look up to musically. Like all teenagers, it’s a matter of finding yourself and defining yourself. By all accounts of this performance, Emily’s Army is well on their way to finding out what power and potential is there for the taking in the years ahead.
Saturday, August 1, 2009
THE STARTOVER – S/T
My liking for the pop-punk genre has definitely dissipated as I have grown older. The days of being packed in a crowd like a sardine for a 30-minute set of MXPX or The Ataris at Warped Tour feels like light years ago. Although I’m not actively singing along to songs about heartbreak and teen angst in my late 20s, I know that many are at a point in their lives when three-part harmonies and catchy guitar hooks can work wonders. That’s why The Startover has my utmost respect with the release of their three-track self-titled EP. Hailing from the UK, These lads are laying down a vibe that should please those who fancy the pop-punk sound. Besides the harmonious vocals, the bands instrumental talent is fairly strong with several guitar and drum breakdowns throughout the effort. If you are a fan of the genre or just looking for a new sound to bring back those nostalgic teenage feelings, The Startover bring the goods.
(Engineer Records, 210 William Street, Boonton, NJ 07005)
Friday, July 14, 2006
VARIOUS ARTISTS - UNSOUND
Say goodbye to the PUNK-O-RAMA compilations and introduce yourself to its replacement, UNSOUND. In an attempt to give the Epitaph label a facelift, UNSOUND features the new breed of Epitaph bands that come with a screamo/emo sound. Hip-hop artists Sage Frances and Dangerdoom also contribute to this title. It's as though Epitaph is attempting to ride the ever-changing trend of bands having an MTV appeal (screaming 20-somethings who wear too much eye shadow). This album also includes a DVD filled with 10 music videos from bands like From First to Last and Bad Religion. Fans of the defunct PUNK-O-RAMA series should be hesitant in picking this up. Epitaph isn't the Southern California punk label it once was. Besides a few decent tracks, there isn't much worth getting excited about here.
(Review originally appeared in the July 2006 issue of Skratch Magazine)
(Review originally appeared in the July 2006 issue of Skratch Magazine)
Tuesday, September 13, 2005
THE TRACK RECORD - S/T EP
This five-track EP from The Track Record has all the makings of a successful pop-punk release. It's got the high screechy male vocals and the never-ending saga of young adults and their battle with teen angst. To say it's been done before would be a major understatement. When dissected track by tack, this album comes up way short of being original. The vocals remain high-pitched and annoying though all five tracks, and the musicianship is average, at best. It's cookie-cutter pop-punk sound might catch the ears of those who like bands like Yellowcard or The Starting Line. Although I don't think much of The Track Record's sound, I wouldn't be shocked if we hear from them again in the near future. This whiney drab has staying power that can't be explained.
(Review originally appeared in the September 2005 issue of Skratch Magazine)
Subscribe to:
Posts (Atom)