Tuesday, March 29, 2011

Interview: Chris Demakes of Less Than Jake

“How many people can we play to in Gainesville? That was the goal.” This is how vocalist and guitarist Chris Demakes recalls the early beginnings of punk/ska veterans Less Than Jake. “Once we did that first tour it never stopped. It snowballed from there.”


That snowball continues to roll on as the band is quickly approaching their 20th anniversary. For a band that had small time aspirations of getting gigs at frat parties at the University of Florida and playing neighboring cities and states in and around Florida, they have accumulated countless US tours as well as several overseas stints in countries including Germany, England, France, Japan and Australia.

“We’ve been going to Australia for about 11 or 12 years, so we’ve been lucky enough to build up a fan base down there.”

Only matter of days after this interview, Chris and the boys were off for Australia for the Soundwave Festival. The fest featured Less Than Jake as well as about 40 other bands, including some that have influence the band’s music style including Iron Maiden and Slayer. The tour spanned five different Australian cities, and between festival shows, Less Than Jake played some club gigs.

Over the span of 19 years, Less Than Jake have released a total of seven full-length studio albums, two live albums, and five EPs, including their newest release TV/EP. This latest record includes the band covering a wide range of TV jingles and television theme songs, something they’ve attempted in past releases. This was the first time the band focused an entire recording into the realm of theme songs and, according to Chris, the time was right.

“We’ve done covers before, [but] we hadn’t done them in a while and it was just time to do an EP and have some fun.”

It’s been nearly three years since Less Than Jake have released their last full-length album GNV FLA on their own record label Sleep It Off Records. Talk of a new record has come up here and there within the band, and while nothing has been announced yet, it seems the it’s only a matter of time before something will be recorded and released.

“Everyone’s got ideas. Roger has a ton. I know Vinnie has ideas. I’ve got so many ideas I can’t keep them straight — I’ve got to go home and put some of these down. I think we are trying to shoot to record in May and have something out for Warped Tour this summer but that’s up in the air. There’s a lot of talk, but we are hoping to record sometime this year.”

When this new full-length album eventually gets released it will be the second LP released on their own record label, Sleep It Off Records. The move to create their own label came naturally to the band. They had played the major record label game throughout their career, spending a few years with Capitol Records in the ’90s and then moving to indie mainstay Fat Wreck Chords for one release, Boarders and Boundaries, only to go to Warner Bros./Sire before founding Sleep It Off after two full-length studio albums. After a failed relationship with Sire (which included the label editing out the horn section for the song “She’s Gonna Break Soon” from the single and music video), the move to self-release their albums was the only option that made sense.

“It’s just the five of us. We don’t have an office. There’s no one working for us, so it’s just a way for us to put out all of our products. We’re slowly releasing our back catalog, and anything we do musically now is going to come out under it [Sleep It Off]. We don’t have to deal with anybody, and any physical CD sale we can get is going to go into our pockets now,” said Demakes. “There was really no reason to go with an indie label and give someone money. That wasn’t going to happen, and no major label were going to throw any more money at us probably, nor would we want to go that route at this point. So it was kind of like, ‘Let’s do our own thing.’”

Currently the band is promoting the reissue of Losing Streak and Hello Rockview on Sleep It Off. The albums feature the original studio recordings with some new versions of the cover art. Included in both albums are DVDs of live album shows recorded in Florida of the respective albums in their entirety.

While many of the third-wave ska acts of the ’90s have either disappeared into the oblivion or scaled back their touring to selective dates scattered across the nation and limited new albums, Less Than Jake have continued to push on with a strong fan base that have sold out venues across the world for years now. What brings out the legion of fans who have been with the band since their first full length release Pezcore? What brings out new fans who have joined the Less Than Jake fan base within the past few releases?

It could be their live shows, which could be described as an Aquabats show meets Mardi Gras — although their shows in recent years have toned down in the theatrics. Most notably missing from their shows for the past 10 years or so: Skullman. Less Than Jake’s version of a dancing “Bosstone,” Skullman would dance around on stage in a tuxedo for the entire set and would usually end the show by blowing a fireball from his mouth. Apparently, Skullman is now retired.

“He can’t fit in the suit anymore! That’s the God’s honest truth, man! He’s not a 22-year-old kid anymore and he can’t fit in the suit. We call him the fat clown now.” Chris asks Vinnie, “What Warped Tour was that?”

Vinnie answers, “The Houston one. It was like seven years ago — he had been retired for a few years by then and he wanted to make a reprise. He almost got sent to the hospital. Yeah, it was about 104 degrees and in that mask it was about 120 degrees. It was a half hour set and he almost died.”

Recalling some of Skullman’s glory day’s, Chris adds, “He would come offstage and he would take off his shoes and dump like a cup of water out of it, but it was sweat.”

Another signature trademark of Less Than Jake’s career is their line of ever changing merchandise. From bobble heads and pizza boxes to a cereal box contest, the visions for new and interesting collectibles for the fans come mainly from Vinnie, the drummer of the band. But ever so often, a new idea doesn’t jive with the Less Than Jake faithful.

“Sometimes we’ll take a design out on tour that we thought was really cool and it goes over people’s heads…at the end of the tour we’re like, ‘How did that one not sell but the fucking generic star with Less Than Jake sold?’”

With their 20th year in existence rapidly approaching, there is no sign that Less Than Jake is going to quietly fade into the musical past like so many of their counterparts. They are getting set to head out for Warped Tour 2011 and, as mentioned earlier, expect a new full-length before the end of the year. There also could be some surprises in store for fans in the year 2012 as well.

“What would be cool is if we did our 20th anniversary and we sent out younger versions of 20-year-old hot looking dudes that can rip Less Than Jake songs. We sit home and collect the fucking money, you know? I’ll get a new teenage girl fan base!”

Whether it’s pulling a “Milli Vanilli” or releasing some crazy off the wall merch, you can count it’s going to be in typical Less Than Jake style.
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Saturday, March 12, 2011

Show Review: Less Than Jake at the House of Blues, Anaheim 2/21/11

Chris Demakes (Left) and Roger Manganelli (Right) of Less Than Jake


Before setting sail for the Soudwave tour in Australia, Gainesville Florida’s Less Than Jake made their second to last US tour stop at Anaheim’s House Of Blues in front of a jam-packed crowd full of old and new fans alike.

Supporting the release of their latest EP effort TV/EP and the reissues of ’90s punk ska classics Losing Streak and Hello Rockview, LTJ performed a slew of older material that surely pleased the longtime fan in the crowd, but leveled it out with some of their newer tunes. They opened up with “Shindo” and “Sugar in Your Gas Tank” off of Losing Streak and then into “Look What Happened” off of the 2000 release Borders and Boundaries.

For a Less Than Jake show, it was a pretty straightforward. Throughout the years, LTJ have featured some far-out gimmicks and on stage gags that made for a unique concert experience. No dancing Skullman. Chris (guitarist/vocalist) didn’t dress up in any costumes. No crazy stage set ups. The band was fully focused on playing the show, which was never a problem before. I just miss the old days of seeing what crazy gags the band could come up with (although there was a confetti drop during “Plastic Cup Politics”).

Most of the show consisted of songs from Hello Rockview and Losing Streak. I found it quite enjoyable to hear them play “Dopeman” and “Great American Sharpshooter,” as they don’t play these songs live that often. I personally got in the circle pit during “Help Save The Youth Of America For Exploding,” singing the song with fellow fans while mixing it up in the pit.

Musically, the band was on point. Being in the game for nearly 20 years, LTJ continues to pump out shows with the same amount of enthusiasm and musical excellence as they have all along. It’s clear to see that the band is driven by their fans who continue to show up and sing along to songs that still have holding power over a decade after they were originally written in some cases.

During the show, the band played a few cuts from their TV theme and commercial cover EP TV/EP, including the themes to “Spongebob Square Pants,” “Animaniacs,” “Scooby-Doo, Where Are You?” and “iCarly” (sung by the bassist Roger, in which Chris commented before playing the song, “If you see Roger on ‘To Catch A Predator’ anytime soon, you’ll know why”).

Per a request I personally made during an interview with Chris earlier in the day, they played “Pete Jackson is Getting Married” as a wedding gift to me, as I was only five days away from my wedding date. They told me they hadn’t played it in a long time, but would give it a good “college effort” to get it done. It came out great for not playing it for so long. Thanks again, guys!



An encore included a stripped down version of “Rest Of My Life” which featured Chris on vocals and guitar, JR on backing vocals, and Buddy on trombone. During this performance, they swapped out Vinnie’s bass drum, and it seems they missed the part of the song where the drums kick back in, as Chris appeared to have anticipated it about halfway into the song. At least, that’s how they’ve played this version of this song in the past live. They ended the show with “The Ghosts Of You And Me” off of Anthem.

From being a punk ska band playing frat parties at the University of Florida to 19 years later headlining yet another show in California to a crowd of enthusiastic fans who sing along with their hearts and souls, Less Than Jake still can put on a killer show that aims to please no matter the age of their fans.